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EzrealChen/备用沙盒99 | |
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《最后生还者 (电视剧)》分集 | |
A girl with a backpack stands in the center of the frame as an abandoned mall lights up in front of her, with varying colors. | |
剧集编号 | 第1季 第7集 |
导演 | Liza Johnson |
编剧 | 尼尔·德鲁克曼 |
音乐 | Various
|
摄影师 | Ksenia Sereda |
剪接 |
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首播日期 | 2023年2月26日 |
长度 | 55 minutes |
客串演员 | |
| |
"Left Behind" is the seventh episode of the first season of the American 末日幻想 剧情片 television series 最后生还者 (电视剧). The episode was written by series co-creator 尼尔·德鲁克曼 and directed by Liza Johnson. It aired on HBO on February 26, 2023. In the episode, Ellie (贝拉·拉姆齐) searches for supplies to save Joel. A flashback follows Ellie as she spends time with her best friend 最后生还者 (电视剧)角色列表 (斯托姆·瑞德) in Boston.
The episode is adapted from The Last of Us: Left Behind (2014), an 扩展包 to 最后生还者 on which the series is based. Johnson, who played the game after being assigned to direct, was encouraged to take an original approach. The episode was filmed in January and February 2022 in 卡尔加里. It received positive reviews, with praise for its writing, direction, cinematography, and performances of Ramsey and Reid; the latter won at the Black Reel Awards and Primetime Creative Arts Emmy Awards. The episode was watched by 7.7 million viewers on its first day.
Plot
[编辑]在一间废弃的房子里,艾莉(贝拉·拉姆齐饰)试着处置乔尔(佩德罗·帕斯卡饰)的伤口[a]。乔尔要求艾莉弃他而去。艾莉动身准备离开时,想起了最终导致她被感染者咬伤的一段往事。
几个月前,在波士顿一所由联邦灾难对策局(FEDRA)运作的寄宿学校,艾莉是孤儿出身的学员之一。艾莉与人打架后,邝上尉(陈泰瑞饰)劝她遵守规矩,有朝一日就能成为FEDRA的领导者。当晚,艾莉的室友兼挚友莱莉(斯托姆·瑞德饰)从外面偷偷溜回宿舍。莱莉在外数周未归,并加入了反抗对策局的革命组织“火萤”,艾莉对此感到生气。
莱莉带着艾莉到外面的一间死寂商场。两人一起玩了电动扶梯、旋转木马和photo booth,并在电子游乐场玩游戏,艾莉乐不可支。但后来艾莉发现了莱莉为火萤保管的土制炸弹,想到这将导致的伤亡,艾莉与莱莉吵了起来。莱莉坦承火萤要将她派去亚特兰大隔离区,她带艾莉来商场是为了道别。艾莉一气之下离开商场,但听到尖叫声后又折返,发现是莱莉的恶作剧。两人一起跳舞,艾莉恳求莱莉不要离开。莱莉答应了她,两人亲吻彼此。
一名感染者被声响吸引过来,并攻击两人。艾莉最终将之杀死,但惊恐地发现她和莱莉都被咬伤了。莱莉要求艾莉陪着她,并说道,不管余命有多么短暂,都值得努力地过活。回到现在,艾莉回想着莱莉的话。她在房里找到针线,开始缝合乔尔的伤口。
Production
[编辑]Conception and writing
[编辑]"Left Behind" was written by 最后生还者 (电视剧) series co-creator 尼尔·德鲁克曼 and directed by Liza Johnson.[6][7] The Directors Guild of Canada revealed Johnson was assigned to direct for the series in January 2022.[8] Johnson played the game after being assigned to the series.[9] "Left Behind" is an adaptation of The Last of Us: Left Behind (2014), an 扩展包 of 最后生还者 on which the series is based.[10] Druckmann and series co-creator Craig Mazin encouraged Johnson and cinematographer Ksenia Sereda to take liberties with the episode and not feel constrained to replicating the source material.[10]
For Riley's first appearance in the comic book 最后生还者:美国梦, artist Faith Erin Hicks and developers at 顽皮狗 created an original fictional arcade game, The Turning, to circumvent issues with licensing;[11] for the television series, Druckmann and Mazin were able to use 真人快打II,[b] the game on which The Turning was based.[1](47:19) Druckmann and Mazin avoided positioning any faction as purely good or evil, and showed the more positive side of FEDRA in "Left Behind" to juxtapose their negative depictions in 当你迷失在黑暗中.[1](12:47) The episode was originally written without any reference to Joel; producers at HBO requested a connection to the main story, like Left Behind had.[1](4:44)
Casting and characters
[编辑]斯托姆·瑞德's casting as Riley was announced on January 14, 2022.[12] Reid was unfamiliar with the game prior to her casting; when approached to star in the show, she asked family and friends for their opinions on the game.[13] She watched snippets of gameplay to understand the emotion, but otherwise avoided the game to ensure an original take on the role;[14] she wanted to "hone in on" the manner in which Riley moves and "took up space".[13] Reid worked on the series for about a month.[14] She found the episode's portrayal of children refreshing as it had been absent from recent episodes.[15][16]
贝拉·拉姆齐, who portrays Ellie, found Ellie and Riley's chemistry relatable and noted it made their performance easier. Ramsey and Reid had little time to bond prior to production.[17] They became close over the course of production; Reid called Ramsey "Mom" in one take.[18] The scene at the arcade was improvised; Ramsey and Reid were playing a working version of Mortal Kombat II. Ramsey had not watched Ellie's infection scene prior to their performance, and afterwards noted their version was more angry than the game's fearful.[17] Reid found the final scene emotional to perform as it was one of the last filmed.[19] Ramsey encountered some difficulty with the school scenes as they had not attended school since they started acting when they were eleven.[20]
Music
[编辑]A-ha's song "带我走 (阿哈歌曲)" is used as Ellie discovers the escalator. A 翻唱 of the song was previously used in a trailer for the series, and Ellie (played by 艾希莉·强森) performs the song in the video game 最后生还者 第II章 (2020).[21] Following its use in the episode, "Take On Me" ranked first on 告示牌 (杂志)'s Top TV Songs 告示牌榜单 for February.[22] Collider's Julio Bardini found the song's earlier lyrics reflected Ellie and Riley's feelings towards each other, while the later lyrics illustrated Ellie's journey after discovering her immunity:[21]
Needless to say
I'm odds and ends
But I'll be stumbling away
Slowly learning that life is okay
Say after me
It's no better to be safe than sorry[21]
Druckmann chose the song "All or None" by 珍珠果酱乐队 as it represented Ellie's loneliness and uncomfortability, and the title reflected her general attitude in life.[1](7:28) The inclusion of the Rockabye Baby! version of "Just Like Heaven" was a suggestion of co-editor Timothy A. Good, who had been wanting to use it for some time.[1](38:27) 伊特·珍's version of "I Got You Babe" was reused from the game; Druckmann felt the song's romantic lyrics hidden by joyous music mirrored the feelings of Ellie and Riley.[1](56:28)
Filming
[编辑]Production designer John Paino hoped to find an American-style mall within 卡尔加里 for production, having spent much of his childhood in malls.[23] The crew was granted permission to transform the Northland Village Mall for production as it was scheduled for demolition.[1](29:37)[9] Decoration of the mall took place in January 2022, with dried leaves, broken pylons, and other debris.[24] Paino and his team built around 20 to 25 storefronts in the mall, each rundown versions of real businesses such as Foot Locker, 熊猫快餐, and 维多利亚的秘密.[23] It was unsuitable for some shots as it mostly consisted of a single story, rather than two stories like the area in the game, prompting the usage of a 摄影棚 and 视觉效果; the background of the shot in which the lighting is switched on was crafted through visual effects, for which Mazin and Druckmann had several meetings with visual effects supervisor Alex Wang.[1](29:37)
The carousel—the Chinook Carousel, manufactured by the Allan Herschell Company in 1941—was rented from Spruce Meadows and set up at Northland Village Mall for filming;[23][25] center panels referencing the 卡加利牛仔节 were replaced by reflective panels to add a "hallucinatory feel".[23] The arcade consisted of real arcade machines like 青蛙过河 and 俄罗斯方块, as Mazin and Druckmann wanted to evoke realism; the 阴极射线管 screens were replaced by 发光二极管s to allow a clear image when filmed.[23] Sereda used three simultaneous cameras for the arcade sequence, allowing editors Timothy A. Good and Emily Mendez to easily cross-cut between takes.[26] Abandoned stores at the mall were used as green rooms for actors.[20] Production moved in 奥克托克斯 in January, with added trees, grass, and snow; filming occurred in February.[27]
Reception
[编辑]Broadcast and ratings
[编辑]The episode aired on HBO on February 26, 2023.[28] The episode had 7.7 million viewers in the United States on its first night, including 广播节目编排 and streams on Max (流媒体).[29] On linear television, it had 1.083 million viewers, with a 0.37 ratings share.[30] On HBO Max, it was streamed for approximately 261 million minutes within its first three hours.[31] According to several viewers, Ellie and Riley's kiss was censored on OSN+ in the MENA region.[32][33]
Critical response
[编辑]On review aggregator 烂番茄, "Left Behind" has an approval rating of 97 percent based on 32 reviews, with an average rating of 8.4/10. The website's critical consensus called it a "heartbreaking duet between Bella Ramsey and Storm Reid".[39] Several critics praised the visuals of the mall;[2][3] Den of Geek's Bernard Boo enjoyed the blend of artificiality and romance,[35] and Push Square's Aaron Bayne applauded its similarities to the game.[4] Total Film's Bradley Russell found the opening sequence ethereal, mirroring Joel's fading consciousness.[40] 影音俱乐部's David Cote lauded the fight sequence as the best close-combat scene in the series to date.[34] The episode's use of music was well received.[35][41]
Ramsey and Reid's performances received praise;[41][42] Bleeding Cool's Tom Chang called them "award-worthy".[43] Several critics found their chemistry convincing and the episode's highlight.[34][35][36] Bleeding Cool's Chang and /Film's Rafael Motamayor considered the episode Ramsey's strongest to date,[2][43] and IGN's Simon Cardy and Push Square's Bayne found it an effective showcase of their acting talents.[4][41] Total Film's Bradley Russell lauded Ramsey's reaction of Ellie's infection, particularly following their quieter reactions earlier.[40] /Film's Motamayor wrote Reid "gives a memorable performance that ... sticks with you long after the credits roll",[2] and Push Square's Bayne felt she effectively captured Riley's sense of "youthful pride".[4] Bleeding Cool's Chang felt the performances benefited from Johnson's experience in directing female-led drama series.[43] For her performance, Reid won Outstanding Guest Actress at the 75th Primetime Creative Arts Emmy Awards[38] and Outstanding Guest Performance in a Drama Series at the 7th Annual Black Reel Awards for Television.[37]
IGN's Cardy called the episode a "beautifully faithful adaptation".[41] 大西洋 (杂志)'s Shirley Li considered the story a "quiet celebration of the world that once existed".[44] Den of Geek's Boo found the present-day scenes short and poetic.[35] io9's Germain Lussier praised the use of flashbacks to contextualize Ellie's predicament in the present as "a stroke of genius", and lauded Ellie's reactions to the mall lights and arcade;[42] The Escapist's Darren Mooney similarly found Ellie and Riley's reactions impactful.[45] Slate's Nadira Goffe applauded the use of a mall as a quintessential 成年礼 setting.[46] Total Film's Bradley Russell found the resolve of the previous episode's cliffhanger abrupt, and the ending of the episode rushed in comparison to previous scenes.[40] Kotaku's Kenneth Shepard felt the replacement of The Turning with Mortal Kombat II was corporate-led and failed to recreate one of the game's strongest scenes.[47] /Film's Motamayor wrote the episode suffered the trope of black characters dying only to motivate white characters.[2]
Notes
[编辑]References
[编辑]- ^ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 Baker, Troy; Mazin, Craig; Druckmann, Neil. Episode 7. HBO's The Last of Us Podcast (播客). HBO. February 26, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ 2.0 2.1 2.2 2.3 2.4 Motamayor, Rafael. The Last Of Us Episode 7 Brings Emotional Damage. /Film. Static Media. February 26, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ 3.0 3.1 Greene, Steve. 'The Last of Us' Episode 7 Is a Vision of What Could Have Been. IndieWire. Penske Media Corporation. February 26, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ 4.0 4.1 4.2 4.3 Bayne, Aaron. TV Show Review: The Last of Us (HBO) Episode 7 - Emotional Mall Trip Is a Stunner. Push Square. Hookshot Media. February 27, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ Welch, Andy. The Last of Us recap episode seven – the most painful farewell of all. The Guardian. February 27, 2023 [January 7, 2024]. (原始内容存档于February 27, 2023).
- ^ 6.0 6.1 Bento, Manuel São. The Last of Us Season 1 Spoiler-Free Review. That Shelf. January 15, 2023 [January 25, 2023]. (原始内容存档于January 15, 2023).
- ^ El arma secreta de 'The Last of Us' está en sus directores [The secret weapon of 'The Last of Us' is in its directors]. Cinemanía. January 19, 2023 [January 25, 2023]. (原始内容存档于January 19, 2023). 已忽略未知参数
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(建议使用|language=
) (帮助) - ^ Haas, Shawnee. 'The Last of Us' TV Series Adds New Directors from 'The Punisher' and 'What We Do in the Shadows'. Collider. Valnet. January 20, 2022 [June 17, 2022]. (原始内容存档于January 20, 2022).
- ^ 9.0 9.1 Roots, Kimberly. The Last of Us Director Liza Johnson on Crafting the Perfect Post-Apocalyptic Teen Mall Date in Episode 7. TVLine. Penske Media Corporation. February 26, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ 10.0 10.1 McFarland, Melanie. "What is desire?": "The Last of Us" director on the apocalyptic wonder of a trip to the mall. Salon.com. February 26, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ Brown, Tracy. 'The Last of Us' finally gives viewers Ellie's backstory. It was 10 years in the making. Los Angeles Times. February 26, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ Del Rosario, Alexandria. 'Euphoria's Storm Reid Joins HBO's 'The Last Of Us' Series Adaptation As Riley. Deadline. Penske Media Corporation. January 14, 2022 [January 15, 2022]. (原始内容存档于January 14, 2022).
- ^ 13.0 13.1 Romano, Nick. Storm Reid isn't concerned with homophobic The Last of Us fans: 'We are telling important stories'. Entertainment Weekly (Dotdash Meredith). February 26, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ 14.0 14.1 Rosenstock, Ben. The Last of Us's Storm Reid on Riley and Ellie's 'Unconditional and Sacrificial' Love. Vulture. Vox Media. February 26, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ Harrison, Ellie. The Last of Us's Storm Reid on 'beautiful' experience of playing young Black queer character. The Independent. February 27, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ Zheng, Jenny. The Last of Us Episode 7 Star Storm Reid Unpacks Relationship Between Riley & Bella Ramsey's Ellie. Teen Vogue. Condé Nast. February 26, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ 17.0 17.1 Stephan, Katcy. 'The Last of Us': Storm Reid and Bella Ramsey Talk Through Their Heartbreaking Episode, and Clap Back at Homophobic Trolls. Variety. Penske Media Corporation. February 26, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ Traffaut-Wong, Olivia. The Last Of Us Ellie & Riley Don't Just Survive. They Live & Love. Refinery29. Vice Media. February 27, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ Bonaime, Ross. Storm Reid on Her 'The Last of Us' Episode and Where Riley and Ellie Could've Gone. Collider. Valnet. February 26, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ 20.0 20.1 Monteil, Abby. How Bella Ramsey and Storm Reid Blurred the Line Between Best Friend and Crush in The Last of Us. Them. Condé Nast. February 26, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
- ^ 21.0 21.1 21.2 Bardini, Julio. 'The Last of Us': The Importance Behind That A-ha Song in Episode 7. Collider. Valnet. March 1, 2023 [March 9, 2023]. (原始内容存档于March 1, 2023).
- ^ Rutherford, Kevin. 'The Last of Us' Takes No. 1 on Top TV Songs Chart With a-ha Classic. Billboard. Eldridge Industries. March 24, 2023 [June 11, 2024]. (原始内容存档于March 24, 2023).
- ^ 23.0 23.1 23.2 23.3 23.4 Tangcay, Jazz. Building the 'Last of Us' Mall: Production Designer Explains How They Made That Arcade, Carousel and More (EXCLUSIVE). Variety. Penske Media Corporation. February 27, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ McLean, Ellie. Calgary mall gets post-apocalyptic makeover for filming of HBO series "The Last of Us" (PHOTOS). Daily Hive. Buzz Connected Media Inc. January 20, 2022 [April 6, 2022]. (原始内容存档于January 20, 2022).
- ^ When TV Meets Tradition: Our Carousel in The Last of Us. Spruce Meadows. February 28, 2023 [March 7, 2023]. (原始内容存档于March 6, 2023).
- ^ Hayes, Dade. 'The Last Of Us': Showrunner Craig Mazin Joins Craft Collaborators For Deep Dive On Show's Look And Sound, Hopes Series Will "Be Around For A While" Beyond Season 2 – NAB. Deadline Hollywood. Penske Media Corporation. April 16, 2023 [April 17, 2023]. (原始内容存档于April 16, 2023).
- ^ McLean, Ellie. Southern Alberta town to be zombie-fied for filming of HBO series "The Last of Us". Daily Hive. Buzz Connected Media Inc. January 25, 2022 [February 10, 2022]. (原始内容存档于January 25, 2022).
- ^ Sirani, Jordan. How to Watch The Last of Us: Episode Release Schedule and Cast. IGN. Ziff Davis. January 17, 2023 [January 19, 2023]. (原始内容存档于January 19, 2023).
- ^ Hailu, Selome. 'The Last of Us' Season 1 Finale Scores 8.2 Million Viewers, Reaching Series High Despite Oscars Competition. Variety. Penske Media Corporation. March 13, 2023 [March 14, 2023]. (原始内容存档于March 13, 2023).
- ^ Metcalf, Mitch. ShowBuzzDaily's Sunday 2.26.2023 Top 150 Cable Originals & Network Finals Updated. Showbuzz Daily. February 28, 2023 [March 1, 2023]. (原始内容存档于March 1, 2023).
- ^ Campione, Katie. 'Outer Banks' Leads Nielsen U.S. Streaming Chart After Season 3 Debut, 'The Last Of Us' Dominates Acquired Programming With Episode 7. Deadline Hollywood. Penske Media Corporation. March 23, 2023 [March 26, 2023]. (原始内容存档于March 23, 2023).
- ^ Makuch, Eddie. The Last Of Us Episode 7 Was Reportedly Censored In Some Regions. GameSpot. Fandom, Inc. February 27, 2023 [February 28, 2023]. (原始内容存档于February 28, 2023).
- ^ Zwiezen, Zack. Not Everyone Got To See The Last of Us Show's Big Kiss. Kotaku. G/O Media. February 27, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ 34.0 34.1 34.2 Cote, David. In a bittersweet The Last Of Us, Ellie gets a fleeting taste of normal teen life. The A.V. Club. G/O Media. February 26, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ 35.0 35.1 35.2 35.3 35.4 Boo, Bernard. The Last of Us Episode 7 Review: Will Ellie Leave Joel Behind?. Den of Geek. February 26, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ 36.0 36.1 Sepinwall, Alan. 'The Last of Us' Gives Ellie a Tragically Beautiful Gay Love Story of Her Own. Rolling Stone (Penske Media Corporation). February 26, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ 37.0 37.1 Complex, Valerie. Black Reel Awards Reveals Winners Of Film And Television Categories; 'American Fiction' And 'The Color Purple' Took Home Top Honors. Deadline Hollywood. Penske Media Corporation. January 16, 2024 [February 7, 2024]. (原始内容存档于January 17, 2024).
- ^ 38.0 38.1 Tangcay, Jazz; Littleton, Cynthia. 'The Last of Us' Grabs Eight Wins on Night 1 of 2023 Creative Arts Emmy Awards. Variety. Penske Media Corporation. January 6, 2024 [January 7, 2024]. (原始内容存档于January 7, 2024).
- ^ The Last of Us: Season 1, Episode 7. Rotten Tomatoes. Fandango Media. [March 30, 2023]. (原始内容存档于March 30, 2023).
- ^ 40.0 40.1 40.2 Russell, Bradley. The Last of Us episode 7 review: "Tragic and tender in equal measure". Total Film. Future plc. February 27, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ 41.0 41.1 41.2 41.3 Cardy, Simon. The Last of Us: Episode 7 Review. IGN. Ziff Davis. February 26, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ 42.0 42.1 Lussier, Germain. Ellie Is at the Center of Another Dynamite Episode of The Last of Us. io9. G/O Media. February 26, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ 43.0 43.1 43.2 Chang, Tom. The Last of Us Season 1 Ep. 7 Review: Ramsey, Reid Shine in Ellie Arc. Bleeding Cool. Avatar Press. February 26, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ Li, Shirley. How The Last of Us Cherishes a Bygone World. The Atlantic. Emerson Collective. February 26, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ Mooney, Darren. The Last of Us Adapts Left Behind to Dramatic Effect. The Escapist. Gamurs. February 26, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ Goffe, Nadira. The Last of Us Found the Perfect Setting for Its Teen Coming-of-Age Episode. Slate. February 26, 2023 [February 28, 2023]. (原始内容存档于February 27, 2023).
- ^ Shepard, Kenneth. The Last Of Us Show Made One Of The Best Game Moments Worse. Kotaku. G/O Media. February 26, 2023 [February 27, 2023]. (原始内容存档于February 27, 2023).
External links
[编辑]- 互联网电影数据库上《EzrealChen/备用沙盒99》的资料(英文)